![]() |
| they left out the Ni-Motiv. |
This table lists the motives in approximate order of appearance. Since some motives appear only very briefly in Act 1 and are far more prominent in Act 2 (all the magic garden stuff), they might seem out of order, but they aren't.
Note for newbies: Parsifal won't appear on anyone's Most Accessible Operas list, but if you have patience it rewards your efforts. It was my first Wagner opera, er, music drama, er, Bühnenweihfestspiel, which I don't advise for others but it just... happened and I got into it eventually. Don't expect it to necessarily be immediately appealing, though, you need to let it sink in. Though maybe you're a Parsifal idiot savant, a Parsifal Parsifal. Who knows? (Also, you could try reading this book chapter, and I am recommending in part for its title, which is "Strange Love, or, How We Learned to Stop Worrying and Love Parsifal," and also for the phrase, "a kind of Armageddon cocktail with large twists of Schopenhauer and Buddha," but mostly because it is very clear, informative, and thought-provoking.)
Here is the key to all that archaic German, in painfully literal translation.
- Liebesmahlthema: theme of the love feast (i.e. Last Supper), Leidens-M.: motive of sorrow, Speer-M.: motive of the spear
- Grals-M: motive of the Grail
- Glaubenstheme: Theme of belief/faith (Umgestaltungen des Glaubensthema: transformations of the theme of belief/faith)
- M. der Schwermut: motive of melancholy
- Heilesbuße-M.: motive of the healing/salvation-giving kiss
- Amfortas-M.: Amfortas motive
- M. der Verheißung (Toren-M.): motive of promise (fool motive)
- Ritter-M.: rider/knight motive (Kundry)
- Kundry-M.: Kundry motive
- M. des Dienens: motive of servitude
- Waldesmelodie: forest melody
- Zauber-M.: motive of magic
- Leidens-M.: motive of sorrow (see theme of the love-feast)
- Speer-M.: motive of the spear (see theme of the love-feast)
- Charfreitags-M. (i.e. Karfreitag): motive of Good Friday
- Klingsor-M.: Klingsor motive
- Kose-M.: motive of caressing
- Mädchenklage: maidens' plaint
- Minnebegehr-M.: motive of the desire for courtly love (sorry, not so translatable -ed.)
- Streit-M.: motive of conflict
- Schmeichel-M.: motive of flattery
- Schwan-M. (Lohengrin): swan motive (Lohengrin)
- Parsifal-M.: Parsifal motive
- Herzeleide-M.: Herzeleide motive (Parsifal's mother -ed.)
- Gralsglocken-M.: motive of the grail bells
- Hingebungs-M.: motive of devotion
- Schmerzensweh-M.: motive of suffering (Herzeleide)
- M. des Sehnens: motive of yearning (Kundry)
- Verführungsfigur: figure of seduction
- M. der Öde: motive of desolation
- M. des Irrens: motive of deception
- Entsühnungsmelodie: melody of atonement
- Blumenauethema: theme of the field of flowers
- Segesspruch: indication of blessing
- Totenfeierthema: funeral theme
- Weihegruß: salutation of consecration

2 comments:
Great job!!! Thank you!!
Nice...now all we need is the show. While it's very helpful to map the themes, it may also be helpful to know what the production had in mind. The NYT preview was poorly written, but there's a decent review of the production when it was in Lyon on Opera-Cake.
Now that Met audiences have seen their first bübeez in the pole dancer in Rigoletto, I guess they're ready for all of act II of Parsifal performed in a stage full of blood...
Post a Comment
Comments are temporarily being moderated due to a seasonal increase in troll activity. Please stay on topic and refrain from personal attacks.